Play Along Piano

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SDG

Vader maak ons één. Father make us one. Arrangement: Gertim

SDG

0:42	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	3	3	100%
Soprano/Alto		12	0	1	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	3	3	100%
Soprano/Alto		12	0	1	5	100%
Tenor/Bass		15	0	2	6	100%
Violoncello		15	0	3	3	50%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

18. Es glänzet der Christen inwendiges Leben. BWV 456.

SDG

1:40	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	97%
Tenor/Bass		18	0	4	6	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	6	97%
Tenor/Bass		18	0	4	6	97%
Contrabass		18	0	3	3	50%
Violoncello		18	0	3	3	50%

35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		11	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		21	0	6	5	100%
Contrabass		11	0	3	3	50%

45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.

SDG

0:56	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		22	0	7	3	100%
Contrabass		16	0	4	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		22	0	7	3	100%
Contrabass		16	0	4	2	53%

5. Ach Gott, vom Himmel sieh' darein, Schau lieber Gott, BWV 153 #1, Denicke, Bach.

SDG

0:45	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	3	4	100%
		18	0	6	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		14	0	3	4	100%
		18	0	6	3	100%
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	6	3	100%
Contrabass		14	0	4	3	50%

51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.

SDG

0:44	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	4	4	100%
Tenor/Bass		19	0	5	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	4	4	100%
Tenor/Bass		19	0	5	5	100%
Contrabass		14	0	4	3	50%
Alto		2	0	1	1	13%
Bass		2	0	1	1	7%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
Contrabass		17	0	4	3	50%
Tenor		2	0	0	2	4%

33. Christ, der du bist der helle Tag. BWV 273. Johann Sebastian Bach.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		18	0	3	4	100%
Contrabass		13	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		18	0	3	4	100%
Contrabass		13	0	3	3	50%

14. Allein Gott in der Höh' sei Ehr', BWV 112.5.

SDG

0:53	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		18	0	5	4	100%
		18	0	5	4	100%
Violin		8	0	2	4	50%
		6	0	1	5	100%
Horn in F		8	0	0	5	100%
Oboe		6	0	1	5	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		18	0	5	4	100%
Viola		9	0	1	4	100%
Oboe col Alto		9	0	2	4	70%
Contrabass		12	0	4	2	50%
Violoncello		12	0	4	2	50%

26. Auf meinen lieben Gott (Wo soll ich fliehen hin), BWV 89.6. Johann Sebastian Bach.

SDG

0:37	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		24	0	4	3	100%
Contrabass		17	0	3	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		24	0	4	3	100%
Contrabass		17	0	3	3	52%

87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	3	100%
Tenor/Bass		25	0	8	3	100%
Contrabass		16	0	3	3	51%
Violoncello		16	0	3	3	51%

242. Meinen Jesum lass' ich nicht. BWV 380.

SDG

0:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		21	0	6	4	100%
Contrabass		17	0	4	3	50%

213. In dich hab' ich gehoffet, Herr. BWV 244 #32

SDG

0:32	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		18	0	4	3	100%
Contrabass		13	0	4	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		18	0	4	3	100%
Contrabass		13	0	4	2	50%

192. Jesu Leiden, Pein und Tod. BWV 245/14.

SDG

0:51	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	7	4	100%
Contrabass		15	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	7	4	100%
Contrabass		15	0	4	3	50%

221. Komm, heiliger Geist, Herre Gott (Du heilige Brunst, süsser Trost). BWV 226/2

SDG

1:14	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		17	0	5	6	100%
Contrabass		13	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		17	0	5	6	100%
Contrabass		13	0	3	3	50%

185. Jesu, der du meine Seele. BWV 352.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	4	100%
Contrabass		14	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	4	100%
Contrabass		14	0	3	3	50%

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